The Eternal visit a Gun That Doesn’t Kill

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Within the brand new cop drama APB, an Elon Musk-type billionaire engineer purchases a beleaguered Chicago police precinct to avenge his buddy’s murder. He re-outfits the station with wizardry including drones, a biometric interrogation seat and guns that immediately (and nonlethally) stop crooks aided by the range and precision of the old-fashioned pistol. We’ll leave it to your solicitors to argue if a civilian could obtain a precinct. When it comes to technology material, especially the pimped-out stun weapon, issue is prompt: Given the present high-profile fatal police shootings of civilians—roughly 1,000 a year—it is reasonable that law enforcement officials and victim advocates alike take an ongoing search for a unit that can neutralize a risk without causing permanent harm. “It’s shout or shoot. There aren’t some intermediate choices,” says Sid Heal, a retired Los Angeles County Sheriff’s Department commander whom consults internationally on the utilization of force. And since most police division protocols allow officers to respond to threats by using a more impressive range of force than they’re confronting, an officer whom faces off against a foe holding a lethal weapon—which could be a hammer or baseball bat—is almost certainly going to react with all the solution revolver. For 800 years, the only effective way to stop an adversary is weapon, set to kill. However the pursuit of a nonlethal alternative hasn’t been more urgent.

Tom Swift’s Electrical Rifle

Exactly what, then, in regards to the Taser? is not your solution—a tool that can surprise a subject into distribution, leaving no lasting damage? That’s the idea the theory is that, and since first introduced by Taser International in 1993, the product has become a mainstay in nearly every police department. But concept and training are two different things. Tasers are both less efficient than guns at stopping some body charging you at you with no guarantee of making them unscathed.

It’s not just a quick fix, but it stops a danger. Steve Tuttle, Taser Overseas

Named the 1911 youth guide Tom Swift and His Electric Rifle (it’s an initialism), Tasers work by shooting two electrically charged probes—one negative, one positive—delivering a 5 to 30 2nd surprise of 50,000 volts, although the voltage drops significantly upon effect. Both probes need to make close contact with your skin working. Yet often they don’t: Heavy clothing can repel them, therefore the further the length that they’re shot, the wider the space, or spread, between your two probes. “The spread is one base for every single seven legs they travel. Basically deploy it at you at 14 feet, the spread is going to be two legs,” states Taser Global spokesperson Steve Tuttle. “It’s not a magic pill.” But, he adds confidently, “It prevents a hazard,” and much more effortlessly than many other less-lethal options such as batons, pepper spray or disorienting blinking products. (Taser Global virtually has industry, though a small number of competitors have actually introduced comparable stun devices. The business won a patent infringement lawsuit against one, Karbon Arms, in 2014. Karbon Arms web site has since shut down as well as its Facebook web page says “closed for company.”) While Tasers are clearly less deadly than mainstream firearms, arguments carry on over whether they can surprise someone to death. A Washington Post investigation of police killings in 2015 found around one death per week associated with authorities utilization of Tasers, but no-one could definitively attribute those deaths to electric surprise. Some topics might have dropped and hit their heads after being shocked. In terms of range, in 2009 Taser introduced the XREP stretched range shotgun, which may reach up to 100 foot. However with only limited circumstances of practical usefulness and rounds costing $125 each, Tuttle claims, “It had been too costly. We pulled it.” Tuttle notes FBI data show that many officers fire their guns from seven to 10 feet away, well inside a Taser’s reach. Nevertheless, some officers won’t trust a Taser except up close. On TV, the number problem is solved simply by writing it into the script. In APB’s pilot episode, a detective is directed by the precinct’s brand new owner to shoot at a lady being held hostage by a perp having a weapon to the woman mind. “The Taser won’t kill the girl, but he can,” the rich employer whispers. The detective takes the shot additionally the woman falls, stunned but unharmed. Then your detective shoots once again and immobilizes the theif.

State i simply had an encounter with somebody threatening committing suicide in which you’ve got the less-lethal option. Now I go on the next task and I also have someone shooting at me personally. Am I going to make sure to switch the mode? John Folino, Chicago Police Department

Exactly how that scenario would play away into the real world, who knows? Sergeant Detective John Folino, the show’s technical adviser plus 19-year veteran for the Chicago Police Department, discusses practical issues over ethics. “Right now, you’ve got officers having a weapon plus Taser. It is possible to only have a great deal on your own duty belt,” impeding flexibility and causing straight back discomfort, he claims. Like Star Trek’s phasers, the fictional weapons on Fox’s APB have stun and destroy settings—which could also cause issues. “Say i recently had an encounter with somebody threatening committing suicide in which you’ve got the less-lethal choice,” Folino states. “Now we go on another work and I also have actually someone shooting at me personally. Am I going to be sure you switch the mode?” That’s a real-world concern tragically responded a year ago whenever Tulsa reserve deputy Robert Bates drew their gun as opposed to his Taser and killed Eric Harris, the unarmed topic of the sting procedure. Bates stated he’d gotten confused, and ended up being sentenced to four years for manslaughter. “That’s the reason why once we train, we put the Taser in the opposing part,” Folino claims. “It’s called your help part. Your actual gun is on your own strong part.”

Directed Energy: Feeling the Burn

Just what exactly else is offered? The next closest thing on evasive phaser on stun may be a directed energy system developed by Raytheon that fires waves of power that penetrate a paper-thin layer regarding the epidermis, creating an intolerable burning sensation. But it’s scarcely handheld and contains become mounted on a flatbed trailer. Initially created for the armed forces, it was implemented in Afghanistan this year before being recalled by the Air Force, apparently as a result of concerns about Geneva Convention violations. Raytheon couldn’t return requires comment. Jail guards tested a model for law enforcement use—mostly for crowd control—at la’ North County Correctional Facility this season. Heal, the retired LA sheriff’s commander, had been a consultant on that contract. “We wear it the top the prison where we simply had two murders. And also the ACLU objected,” he complains, by having a tone of exasperation.“Why don’t we simply use the material we’ve been utilizing since 1820, like billy groups and night sticks?”

There isn’t any such thing as perfect tool, and tools made to be non-lethal can find yourself having deadly effects or infringe on people’s liberties to talk out and construct. Rohini Haar, Physicians for Human Rights

The ACLU referred me personally to Physicians for Human Rights. “Our prevailing issues about weapons—either genuine or hypothetical—is both the risk they pose and their possibility of being used to break people’s legal rights,” writes Rohini Haar, a crisis medication physician utilizing the team, in a email. He states the beam’s results haven’t been completely studied. “Certainly an alternative solution to reside ammunition is warranted, but the problem let me reveal that [less-lethal weapons] are often deployed with no complete comprehension of their possible health impacts. … there’s absolutely no such thing as a perfect weapon, and weapons made to be non-lethal can find yourself having life-threatening impacts or infringe on people’s legal rights to talk out and assemble.” And so the search continues. Robert Afzal of Aculight Corp., a subsidiary of Lockheed in Bothell, Washington, is developing high-powered lasers to shoot straight down missiles. A bit of a Trekkie, he poses having a movie prop in a Smithsonian documentary that likens their laser up to a phaser. Both are beam tools, all things considered. But like Raytheon’s ray weapon, Afzal’s must be installed on a big automobile. Additionally utilizes intense heat to shoot straight down missiles, maybe not repel humans. “The phaser as stun weapon or Taser continues to be in realm of good technology fiction,” Afzal says. “We would want significant improvements in technology, including batteries, to make a useful handheld laser gun.” Size, then, still matters. The technology to pack all that energy in a holster-ready device merely is not right here yet. Additionally, the various shocking as well as heat tools currently available or in development follow a fundamental paradigm: Those that submit impulses instantaneously with a beam burn their topics rather than surprise them; those who surprise, like the tethered Taser probes, don’t usage beams. APB‘s only doing so-so into the ranks, therefore it’s not likely to spark the imagination of weapons designers. Nevertheless the most useful device was conceived above 300 years ago. In “The Tempest,” Shakespeare’s Prospero declares:

I’m able to right here disarm thee using this stick. While making thy gun fall.

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I Took the AI Class Facebookers Are Literally Sprinting to Get Into

Chia-Chiunn Ho was eating lunch inside Facebook headquarters, at the Full Circle Cafe, when he saw the notice on his phone: Larry Zitnick, one of the leading figures at the Facebook Artificial Intelligence Research lab, was teaching another class on deep learning.

Ho is a 34-year-old Facebook digital graphics engineer known to everyone as “Solti,” after his favorite conductor. He couldn’t see a way of signing up for the class right there in the app. So he stood up from his half-eaten lunch and sprinted across MPK 20, the Facebook building that’s longer than a football field but feels like a single room. “My desk is all the way at the other end,” he says. Sliding into his desk chair, he opened his laptop and surfed back to the page. But the class was already full.

Internet giants have vacuumed up most of the available AI talent—and they need more.

He’d been shut out the first time Zitnick taught the class, too. This time, when the lectures started in the middle of January, he showed up anyway. He also wormed his way into the workshops, joining the rest of the class as they competed to build the best AI models from company data. Over the next few weeks, he climbed to the top of the leaderboard. “I didn’t get in, so I wanted to do well,” he says. The Facebook powers-that-be are more than happy he did. As anxious as Solti was to take the class—a private set of lectures and workshops open only to company employees—Facebook stands to benefit the most.

Deep learning is the technology that identifies faces in the photos you post to Facebook. It also recognizes commands spoken into Google phones, translates foreign languages on Microsoft’s Skype app, and wrangles porn on Twitter, not to mention the way it’s changing everything from internet search and advertising to cybersecurity. Over the last five years, this technology has radically shifted the course of all the internet’s biggest operations.

With help from Geoff Hinton, one of the founding fathers of the deep learning movement, Google built a central AI lab that feeds the rest of the company. Then it paid more than $650 million for DeepMind, a second lab based in London. Another founding father, Yann LeCun, built a similar operation at Facebook. And so many other deep learning startups and academics have flooded into so many other companies, drawn by enormous paydays.

The problem: These companies have now vacuumed up most of the available talent—and they need more. Until recently, deep learning was a fringe pursuit even in the academic world. Relatively few people are formally trained in these techniques, which require a very different kind of thinking than traditional software engineering. So, Facebook is now organizing formal classes and longterm research internships in an effort to build new deep learning talent and spread it across the company. “We have incredibly smart people here,” Zitnick says. “They just need the tools.”

Meanwhile, just down the road from Facebook’s Menlo Park, California, headquarters, Google is doing much the same, apparently on an even larger scale, as so many other companies struggle to deal with the AI talent vacuum. David Elkington, CEO of Insidesales, a company that applies AI techniques to online sales services, says he’s now opening an outpost in Ireland because he can’t find the AI and data science talent he needs here in the States. “It’s more of an art than a science,” he says. And the best practitioners of that art are very expensive.

In the years to come, universities will catch up with the deep learning revolution, producing far more talent than they do today. Online courses from the likes of Udacity and Coursera are also spreading the gospel. But the biggest internet companies need a more immediate fix.

Seeing the Future

Larry Zitnick, 42, is a walking, talking, teaching symbol of how quickly these AI techniques have ascended—and how valuable deep learning talent has become. At Microsoft, he spent a decade working to build systems that could see like humans. Then, in 2012, deep learning techniques eclipsed his ten years of research in a matter of months.

In essence, researchers like Zitnick were building machine vision one tiny piece at time, applying very particular techniques to very particular parts of the problem. But then academics like Geoff Hinton showed that a single piece—a deep neural network—could achieve far more. Rather than code a system by hand, Hinton and company built neural networks that could learn tasks largely on their own by analyzing vast amounts of data. “We saw this huge step change with deep learning,” Zitnick says. “Things started to work.”

For Zitnick, the personal turning point came one afternoon in the fall of 2013. He was sitting in a lecture hall at the University of California, Berkeley, listening to a PhD student named Ross Girshick describe a deep learning system that could learn to identify objects in photos. Feed it millions of cat photos, for instance, and it could learn to identify a cat—actually pinpoint it in the photo. As Girshick described the math behind his method, Zitnick could see where the grad student was headed. All he wanted to hear was how well the system performed. He kept whispering: “Just tell us the numbers.” Finally, Girshick gave the numbers. “It was super-clear that this was going to be the way of the future,” Zitnick says.

Within weeks, he hired Girshick at Microsoft Research, as he and the rest of the company’s computer vision team reorganized their work around deep learning. This required a sizable shift in thinking. As a top researcher once told me, creating these deep learning systems is more like being a coach than a player. Rather than building a piece of software on your own, one line of code at a time, you’re coaxing a result from a sea of information.

But Girshick wasn’t long for Microsoft. And neither was Zitnick. Soon, Facebook poached them both—and almost everyone else on the team.

This demand for talent is the reason Zitnick is now teaching a deep learning class at Facebook. And like so many other engineers and data scientists across Silicon Valley, the Facebook rank and file are well aware of the trend. When Zitnick announced the first class in the fall, the 60 spots filled up in ten minutes. He announced a bigger class this winter, and it filled up nearly as quickly. There’s demand for these ideas on both sides of the equation.

There’s also demand among tech reporters. I took the latest class myself, though Facebook wouldn’t let me participate in the workshops on my own. That would require access to the Facebook network. The company believes in education, but only up to a point. Ultimately, all this is about business.

Going Deep

The class begins with the fundamental idea: the neural network, a notion that researchers like Frank Rosenblatt explored with as far back as the late 1950s. The conceit is that a neural net mimics the web of neuron in the brain. And in a way, it does. It operates by sending information between processing units, or nodes, that stand in for neurons. But these nodes are really just linear algebra and calculus that can identify patterns in data.

Even in the `50s, it worked. Rosenblatt, a professor of psychology at Cornell, demonstrated his system for the New Yorker and the New York Times, showing that it could learn to identify changes in punchcards fed into an IBM 704 mainframe. But the idea was fundamentally limited—it could only solve very small problems—and in the late ’60s, when MIT’s Marvin Minsky published a book that proved these limitations, the AI community all but dropped the idea. It returned to the fore only after academics like Hinton and LeCun expanded these system so they could operate across multiple layers of nodes. That’s the “deep” in deep learning.

As Zitnick explains, each layer makes a calculation and passes it to the next. Then, using a technique called “back propagation,” the layers send information back down the chain as a means of error correction. As the years went by and technology advanced, neural networks could train on much larger amounts of data using much larger amounts of computing power. And they proved enormously useful. “For the first time ever, we could take raw input data like audio and images and make sense of them,” Zitnick told his class, standing at a lectern inside MPK 20, the south end of San Francisco Bay framed in the window beside him.

‘We have incredibly smart people here. They just need the tools.’ Larry Zitnick

As the class progresses and the pace picks up, Zitnick also explains how these techniques evolved into more complex systems. He explores convolutional neural networks, a method inspired by the brain’s visual cortex that groups neurons into “receptive fields” arranged almost like overlapping tiles. His boss, Yann LeCun, used these to recognize handwriting way back in the early ’90s. Then the class progresses to LSTMs—neural networks that include their own short-term memory, a way of retaining one piece of information while examining what comes next. This is what helps identify the commands you speak into Android phones.

In the end, all these methods are still just math. But to understand how they work, students must visualize how they operate across time (as data passes through the neural network) and space (as those tile-like receptive fields examine each section of a photo). Applying these methods to real problems, as Zitnick’s students do during the workshops, is a process of trial, error, and intuition—kind of like manning the mixing console in a recording studio. You’re not at a physical console. You’re at a laptop, sending commands to machines in Facebook data centers across the internet, where the neural networks do their training. But you spend your time adjusting all sorts of virtual knobs—the size of the dataset, the speed of the training, the relative influence of each node—until you get the right mix. “A lot of it is built by experience,” says Angela Fan, 22, who took Zitnick’s class in the fall.

A New Army

Fan studied statistics and computer science as an undergraduate at Harvard, finishing just last spring. She took some AI courses, but many of the latest techniques are still new even to her, particularly when it comes to actually putting them into practice. “I can learn just from interacting with the codebase,” she says, referring to the software tools Facebook has built for this kind of work.

For her, the class was part of a much larger education. At the behest of her college professor, she applied for Facebook’s “AI immersion program.” She won a spot working alongside Zitnick and other researchers as a kind of intern for the next year or two. Earlier this month, her team published new research describing a system that takes the convolutional neural networks that typically analyze photos and uses them to build better AI models for understanding natural language—that is, how humans talk to each other.

This kind of language research is the next frontier for deep learning. After reinventing image recognition, speech recognition, and machine translation, researchers are pushing toward machines that can truly understand what humans say and respond in kind. In the near-term, the techniques described in Fan’s paper could help improve that service on your smartphone that guesses what you’ll type next. She envisions a tiny neural network sitting on your phone, learning how you—and just you in particular—talk to other people.

For Facebook, the goal is to create an army of Angela Fans, researchers steeped not just in neural networks but a range of related technologies, including reinforcement learning—the method that drove DeepMind’s AlphaGo system when it cracked the ancient game of Go—and other techniques that Zitnick explores as the course comes to a close. To this end, when Zitnick reprised the course this winter, Fan and other AI lab interns served as class TAs, running the workshops and answering any questions that came up over the six weeks of lectures.

Facebook isn’t just trying to beef its central AI lab. It’s hoping to spread these skills across the company. Deep learning isn’t a niche pursuit. It’s a general technology that can potentially change any part of Facebook, from Messenger to the company’s central advertising engine. Solti could even apply it to the creation of videos, considering that neural networks also have a talent for art. Any Facebook engineer or data scientist could benefit from understanding this AI. That’s why Larry Zitnick is teaching the class. And it’s why Solti abandoned his lunch.

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30 Best WordPress Themes for Photographers (2017)

Are you looking for WordPress themes for photographers? A WordPress theme designed specifically for photographers can help showcase your work, find more clients, or connect with other like minded photographers. In this article, we have hand-picked some of the best WordPress themes for photographers that you can install on your photography website.

Best WordPress themes for photographers

Building a WordPress Site for Photographers

First you need to make sure that you are choosing the right platform to build your website. Self hosted is the perfect platform for photographers.

WordPress offers creative freedom with unlimited designs, thousands of apps, extensions, and integrations available to WordPress site owners.

To get started, first you will need to sign up for a WordPress hosting account. All websites need hosting. It is your website’s home on the internet.

You will also need a domain name. This will be your website’s address on the internet (for example, or

We recommend using Bluehost. They are one of the largest hosting companies in the world and official WordPress hosting partner.

After signing up for a hosting account, you will need to install WordPress. Follow the instructions in our guide on how to start a WordPress blog and you will be up and running in no time.

Next, you need to choose a theme from our expert selection below. If you need help installing the theme on your site, then check out our beginner’s guide on how to install a WordPress theme.

Having said that, let’s take a look at some of the best WordPress themes for photographers that you can install on your website.

Note: All themes in this list are mobile-responsive and compatible with popular WordPress gallery plugins such as Envira Gallery. This list contains both free and paid themes.

1. Candid


Candid is an awesome WordPress theme for photographers. It comes with a two column layout, large images, and graceful mobile responsive design. With its minimalist design approach Candid makes your photos pop out.

It doesn’t ignore the text part of your website. It comes with beautiful typography featuring Abril Display, a clean and sophisticated serif font.

2. Modern Portfolio Pro

Modern Portfolio

Modern Portfolio Pro is a WordPress portfolio theme for photographers, designers, and artists. It is built on top of the rock solid core of Genesis theme framework.

Modern Portfolio uses minimalist approach to design with a focus on gorgeous display of photos. It comes with page layouts for blog, homepage, and landing pages. It is easy to setup using the live theme customizer.

3. Florence


Florence is a beautiful WordPress multipurpose theme suitable for fashion photography and lifestyle websites. It comes in 5 ready to use layouts, with a powerful theme options panel.

It uses large features images allowing you to beautifully showcase your photographs. It also comes with a built-in slider and gallery templates with tons of shortcodes to add different elements inside your posts and pages.

4. Verb


Verb is a modern looking WordPress portfolio theme for photographers, illustrators, and artists. It uses bold and elegant typography and gracefully adjusts itself for all screen sizes and devices.

It includes a portfolio template to beautifully showcase your work. It is easy and simpler to setup using live theme customizer.

5. Martho


Martho is a WordPress multipurpose theme suitable for bloggers, photographers, and artists. It comes with multiple homepage designs, and multiple templates for blog, project pages, galleries, etc.

Martho is WooCommerce ready and has portfolio post type built-in with multiple display options. It also comes with a drag and drop page builder.

6. Ambiance Pro

Ambiance Pro

Ambiance Pro is a WordPress theme for photographers to create beautiful portfolio and photography websites. It is built on Genesis theme framework and comes with beautiful layout choices and elegant typography.

It features a widgetized homepage layout and comes with multiple page templates for your blog, archives, and landing pages.

7. Camera


Camera is a minimalist WordPress theme for photographers. It comes with built-in gallery carousels with large image display, fully mobile-friendly and responsive layout.

Camera offers a distraction free viewing experience to your users with collapsible sidebars and menus. It comes with beautiful typography, quick and simple customization, and a getting started dashboard.

8. Selkie


This beautiful WordPress blogging theme comes with a built-in portfolio, large header images with call to action buttons, and a modern layout. Selkie is full of options, it comes with two layout types, multiple menu styles, 10 different blog layouts, and much more.

It also comes with full support for WooCommerce, a drag and drop page builder, and live theme customizer.

9. Coastline


Coastline is a uniquely designed WordPress theme for photographers. It comes with portfolio section to easily display your photos. It also comes with powerful custom widgets, and multiple layout choices.

It uses a grid layout on the homepage with a fixed sidebar on the left. It is easy to customize and looks great on all devices and screens.

10. Creativo


Creativo is a WordPress multipurpose theme suitable for business, blogging, and photography websites. It comes with built-in portfolio content type and full WooCommerce support.

It comes with 7 skins, 3 design layouts, multiple header layouts, and unlimited color choices. It ships with page builder, slider, and a live chat plugin as well.

11. True North

True North

True North is an elegant WordPress theme suitable for photographers to build portfolio websites. It comes with a built-in portfolio section where you can easily upload your photos.

The homepage features a grid layout prominently displaying your photos. It supports custom backgrounds, large headers, and comes with custom widgets for social media profiles and content discovery features.

12. Daisy


Daisy is a minimalist WordPress blogging theme suitable for photographers and travel blogs as well. It comes with a beautiful homepage layout allowing you to showcase your featured content in a slider and link boxes.

The blog page comes with multiple layout choices. You can also choose multiple header and menu layouts. It comes with beautiful gallery style, unlimited colors, and live theme customizer support.

13. Relive


Relive is a stunningly beautiful WordPress theme for photographers and storytellers. It is designed to created an immersive experience with the help of audio, video, images and text. It works great with long form content with beautiful scrolling effects.

14. Suarez


Suarez is a WordPress photo blogging theme with a gorgeous design that makes your photos popout while not ignoring the text and other form of content. It comes with a ton of customization options and a drag and drop page builder.

It comes with beautiful CSS animations, Google Fonts, and a beautiful slider. Suarez is easy to set up with a live customizer panel.

15. Vignette


Vignette is a modern WordPress theme for photographers and video makers. It has a large header where you can use a video as background or an image with call to action buttons.

It comes with gorgeous gallery templates to display your photographs and videos. It has flexible customization options with multiple layout choices, colors, and custom widgets.

16. Shape


Shape is a WordPress theme designed specifically for photographers. It comes with built-in filterable galleries with beautiful transition effects. It also comes with sections to add your services, portfolio items, clients, team members, etc.

Theme’s homepage features a grid layout which prominently displays your photos. The single post and page, gallery and portfolio items have their own unique templates.

17. Designer


Designer is an elegant WordPress portfolio theme for photographers, designers, and artists. It features a beautiful homepage with two column layout on desktop, and a single column layout on mobile. It’s minimalist approach to design offers a distraction view and more engaging view to showcase your portfolio items.

It comes with a collapsible sidebar, crisp typography, and a simpler quick setup to get you started right away.

18. Expose Pro

Expose Pro

Expose Pro is a beautifully designed WordPress theme for photographers. It comes with a widgetized homepage with four widget areas and has multiple templates for your blog, homepage, archive, and landing pages.

It has a custom gallery post format with lightbox popup of your photos. It uses large featured images to showcase the best of your work. Expose is extremely easy to setup and ready to be used right out the box.

19. North


North is another elegant WordPress portfolio theme for photographers with a minimalist design approach and a grid layout.

It comes with beautiful portfolio templates to display portfolio items like images, photos, videos, and audio files.

It comes with multiple color choices, supports posts formats, and can be used with third party photo gallery plugins to create beautiful galleries.

20. Memories


Memories is a stylish WordPress theme for fashion and lifestyle photographers. It comes with a gallery display to showcase the best of your photographs, designs, and other artwork.

It has multiple color schemes and layout choices, with custom widgets to add social media and content discovery features to your theme.

21. Aperture


Aperture is a free WordPress theme for photographers. It comes with a gorgeous fullscreen slider on the homepage allowing you to display your photographs in their full glory.

It comes with fullscreen background, large featured images, and beautiful gallery style. It is also quite simple to setup and very easy to customize using live theme customizer.

22. Nico


Nico is a beautiful WordPress photography theme which comes with a filterable portfolio section. Perfect for photographers who want to build an engaging portfolio website to showcase different aspects of their work.

Nico comes with multiple color schemes and has support for custom backgrounds, headers, widgets, etc. It is easy to customize and comes with flexible options.

23. Focussity


Focussity is a beautiful WordPress theme for wedding photographers. It comes with portfolio and beautiful image galleries. It supports fullscreen header images and backgrounds.

It also comes with a drag and drop page builder to create your own layouts. Focussity is multilingual ready and comes with beautiful parallax effects and background video support.

24. Inovate


Inovate is a free WordPress theme for bloggers and photographers. It takes the minimalist approach to design focusing on large display of featured images and beautiful typography. It comes with a large header, custom background, and live theme customizer support.

25. Eclipse


Eclipse is an elegant WordPress theme for photographers and bloggers. The homepage features a beautiful slider showcasing your latest work, followed by link blocks to important pages, and then your recent posts in a grid.

It comes with a beautiful custom widget for Instagram photos and videos. It also has beautiful gallery templates, portfolio section, and is fully compatible with WooCommerce.

26. Photolog


Photolog is a free WordPress theme with alternating ‘sticky’ featured images for bloggers, photographers, and writers. The homepage features a unique two column layout with featured images switching columns for alternate posts. This creates an engaging user experience and makes your photos popout.

27. Parallax


Parallax is a modern WordPress portfolio theme for photographers. It comes with tons of customization options and 40 predesigned layouts. It also comes with an easy to use drag and drop page builder.

As the name suggests, it comes with graceful parallax effects and fullscreen slider, image and video backgrounds.

28. Extant

Extant is a minimalist free WordPress theme for photographers and designers. It features a clean and simple layout putting your images first. It supports third party plugins to showcase and even sell your work from your website.

It offers a distraction free viewing and reading experience with collapsible menus. The homepage comes in two layouts landscape and portrait.

29. Addison


Addison is a stunningly beautiful WordPress portfolio theme for photographers. It features a modern elegant design that puts your projects on the frontpage. It comes with a built-in post type for projects with multiple layouts.

It supports unlimited colors and live customizer. It also comes with custom widgets for social media and content discovery features.

30. Tempo


This uniquely designed WordPress theme is created specifically for photographers and bloggers. Tempo comes with a homepage featuring a grid of your photos. It comes with 2 light and dark skins and allows you to change image orientation portrait, landscape or square.

It comes with three header layouts, social profiles menu, and full screen images in posts. It is WooCommerce ready and comes with quick and easy setup with live theme customizer.

That’s all for now.

We hope this article helped you find the best WordPress themes for photographers. You may also want to see our list of 17 best WordPress plugins for photographers.

If you liked this article, then please subscribe to our YouTube Channel for WordPress video tutorials. You can also find us on Twitter and Facebook.

How to Upload PDF Files to Your WordPress Site

Do you want to upload PDF files to your WordPress site? WordPress allows you to easily upload PDF files and make them available for download. In this article, we will show you how to easily upload PDF files to your WordPress site.

How to upload PDF files in WordPress

Upload PDF Files in WordPress Posts and Pages

This method is simpler and works without installing any plugin on your WordPress site.

First you need to edit the post or page where you want to upload the PDF file. On the post editor screen, you need to click on the ‘Add Media’ button.

Add media button

This will bring up the WordPress media uploader popup.

Next, you need to click on ‘Select Files’ button to select the PDF file you want to upload.

Select PDF File you want to upload

WordPress will now upload the PDF file to your website.

Once uploaded, you’ll see a thumbnail preview of your PDF file. On your right hand column, you can provide the title, caption, and description for your file.

You can also select how you want it to be linked. By default, it will link to the PDF file itself. You can change that to the attachment page, which will be a page showing just the pdf thumbnail preview of the first page of your PDF file.

Provide a title and caption for your PDF file

Click on the ‘Insert into post’ button to add the PDF file into your post.

The media uploader popup will now disappear, and you will see PDF file download link in your post editor. You can continue editing your post or publish it.

That’s all, you have successfully uploaded a PDF file and added it to a WordPress blog post.

You can now visit your website to see it in action.

PDF file download link in a WordPress blog post

Upload and Embed a PDF file in WordPress Post or Page

This method allows you to display the PDF file inside your WordPress post or page using a WordPress plugin.

First thing you need to do is install and activate the Google Doc Embedder plugin. For more details, see our step by step guide on how to install a WordPress plugin.

Upon activation, you need to visit Settings » GDE Settings page to configure plugin settings.

Google Docs Embedder settings

Here you can specify the language, height and width of the embedder, and few other settings. Default options will work for most websites, but you can review and change them if you need.

Next, you need to head over to the post or page where you want to embed PDF file.

On the post edit screen, you need to click on the ‘Add Media’ button to upload your PDF document. After uploading your file, you need to copy the file URL and close media uploader window without inserting the file into your post.

Copy file URL

Now, you need to click on the Google Docs Embedder icon in your WordPress post editor.

Google Doc Embed button

This will bring up a popup where you need to paste the PDF file URL you copied earlier and then click on the ‘Insert’ button.

Paste your PDF file URL

You will see a shortcode added to your WordPress post editor.

You can now continue editing your post or publish it.

Visit your website to see the PDF file embedded into your WordPress post.

PDF embed preview

Google Doc Embeder plugin can also embed other documents in your WordPress posts and pages. For detailed instructions see our guide on how to embed PDF, spreadsheet, and others in WordPress blog posts.

We hope this article helped you learn how to upload PDF files in WordPress. You may also want to see our list of 9 best PDF plugins for WordPress.

If you liked this article, then please subscribe to our YouTube Channel for WordPress video tutorials. You can also find us on Twitter and Facebook.

Don’t Worry, There’s Plenty of Great Iron Fist—It’s Just Not on Netflix

The critical pile-on of Iron Fist has officially reached comedy status. The fourth of Netflix’s Marvel shows (and the final lead-in to next year’s Defenders teamup) premieres today, and the reception to the first few episodes has not been kind. While that’s largely the fault of dull writing and plodding plotting, though, Iron Fist himself hasn’t been helping. From the moment that Netflix announced the casting of Finn Jones as the titular hero, there’s a been a steady drumbeat of complaints about a white guy playing the greatest martial artist in the world—a complaint that has only become louder as Jones has waded intro the fray, getting defensive on Twitter and suggesting that people are only complaining because Donald Trump is President.

To be fair, many comic book fans have come to the defense of Jones’ casting. Sure, they argue, it might be racially insensitive to have a white guy be Marvel’s best martial artist; and yeah, it’s another example of Marvel’s reliance on the “white savior” trope, one more troubling after last year’s Doctor Strange turned The Ancient One from an Asian to a Caucasian role. But, they insist, it’s canon, because Iron Fist was actually white.

That’s true: Danny Rand, the Iron Fist on the show, is indeed the primary Iron Fist in comic book continuity. But that doesn’t mean that Danny Rand is the only Iron Fist in Marvel’s comic book mythology. As early as his second comic book appearance (in 1972’s Marvel Premiere #16), there was the implication that Iron Fist wasn’t an individual’s identity as much as a shared mantle that had been worn by different people throughout history. It would take decades for that idea to come into focus, but when it did—courtesy of the 2006 Immortal Iron Fist series by Ed Brubaker, Matt Fraction, and David Aja—it revolutionized Iron Fist as a concept, and as a superhero identity.

Rand, Immortal Iron Fist revealed, was the sixty-seventh Iron Fist to that point. Although the series only introduced readers to seven of his 66 predecessors, all but one of them was of Asian descent. Beyond Quan Yazou, the original Iron Fist, there were Li Park, Bein Ming-Tian, Wu Ao-Shi, Bei Bang-Wen and Kwai Jun-Fan—and none of them were a hipster version of Bruce Wayne.(Though it’s telling that the series spent more time with the seventh predecessor, a white dude named Orson Randall, than any of the others.)

Nor was Iron Fist’s Asian legacy only in the past; in both Immortal Iron Fist and subsequent series Iron Fist: The Living Weapon, the writers established that the future of the Iron Fist was distinctly un-Caucasian. The former series flashed-forward to the year 3099 to introduce Wah Sing-Rand, while The Living Weapon showed a young female monk called Pei possessing the Iron Fist.

In many ways, this is in keeping with Marvel’s general direction with regards to comic book representation over the last few years. Once upon a time, the company’s catalog of heroes who were women or people of color was limited to sidekicks, supporting characters, and the occasional team-member. More recently, though, more familiar superhero identities have been turned into franchises with an aim of more accurately reflecting the world outside your window. The half-Black, half-Latino Miles Morales became a second Spider-Man; Sam Wilson—formerly the high-flying Falcon—signed on as a new Captain America; Thor was replaced as god of thunder by his ex-girlfriend Jane Foster.

While that trend seems to be continuing to this day—Invincible Iron Man was recently relaunched with a teenage girl taking the place of Tony Stark—there remains a horde of traditionalists for whom there can only be one version of any given character. More often than not, that means the original version, when almost everyone was a white dude. It’s worth noting that Marvel is seeing historically low sales of its monthly titles, leading to rumors of a relaunch later this year that will restore the white male versions of its big names in hopes of appealing to long-term fans.

Is that conservative impulse among fandom the reason that Marvel didn’t try to switch things up when selecting a TV version of Iron Fist? It’s unclear. The company’s movies and TV adaptations tend to hew towards the “classic” takes on characters, but not always: Samuel L. Jackson’s Nick Fury and Agents of SHIELD‘s Ghost Rider were based on later incarnations rather than the original (white) ones. But if you’re convinced that Netflix’s Iron Fist should be white because of “canon,” forget it: A full 80% of the comic book Iron Fists to date haven’t white. There’s more than enough material available to support an alternative take. Perhaps those concerned with fidelity to the source material should ask themselves why Marvel didn’t really go with canon in the first place.

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